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She was exceptionally skilled in beadwork, and was a master of Ojibwe floral designs and geometric loom beadwork techniques. [4] She was able to create fully beaded traditional bandolier bags, which were commonly worn by tribal leaders. [9] She has shown pieces in the Smithsonian Institution's craft collection. The American Federation of Arts ...
The collection is made of fifteen contemporary Great Lakes woodland-style skirts, along with items such as pipe bags, handbags, and moccasins. The collection also features a piece created by White's daughter Lavender, a skirt that features an Ojibwe floral design and a high slit intended to allow the individual wearing it to show their leg if ...
Anishinaabe Toodaims: is the social fabric context for politics, kinship, and identity of the Anishinawbeg peoples. The men established "a framework of social organization to give them strength and order" [ 2 ] in which each totem represents a core branch of knowledge and responsibility essential to society.
Portrait of Pete Moos, Mille Lacs Band of Ojibwe, c1913 by photographer Ross A. Daniels. The photo shows the two gashkibidaaganag (bandolier bags) and the spot-stitch appliqué featuring complex layered and assembled motifs that are associated with the Mille Lacs Band. A bandolier bag is a Native American shoulder pouch, often beaded.
Vereara Maeva-Taripo [8] and Tungane Broadbent are important tivaevae artists of today from the Cook Islands, [9] and both artists have been displayed in Queensland Art Gallery [10] and are in the collection in Cook Islands National Museum [11] and Queensland Art Gallery, [8] [12] as well as Christchurch Art Gallery.
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