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After the Philippines was ceded to the United States as a consequence of the Spanish–American War in 1898, the architecture of the Philippines was influenced by American aesthetics. In this period, the plan for the modern City of Manila was designed, with many neoclassical architecture and art deco buildings by famous American and Filipino ...
The stained glass marquee was executed by the Kraut Art Glass Company, with the "Metropolitan" label backlit and surrounded by Filipino floral motifs. [10] The stained glass marquee is highlighted on both sides by curving walls of colorful, decorated tiles resembling batik patterns of Southeast Asia. There are also moldings of zigzag and wavy ...
The interior was restored in 2002-2003 and was also infused with new lighting, sound and video equipment. It was the only post-war venue with air-conditioning and a revolving stage. It used to be the Cultural Center of the Philippines in the 1950s given that all the foremost Filipino and foreign performers of the time performed there.
The Philippines has hosted the Philippine International Pyromusical Competition, the world's largest pyrotechnic competition (previously known as the World Pyro Olympics) since 2010. [197] Lacquerware is a less-common art form. Filipino researchers are studying the possibility of turning coconut oil into lacquer.
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Brutalist architecture in the Philippines (1 C, 20 P) Pages in category "Modernist architecture in the Philippines" The following 8 pages are in this category, out of 8 total.
The Rizal Shrine in Calamba is an example of bahay na bato.. Báhay na bató (Filipino for "stone house"), also known in Visayan languages as baláy na bató or balay nga bato, and in Spanish language as Casa de Filipina is a type of building originating during the Spanish colonial period of the Philippines.
A large bahay kubo with walls made of thatch, c. 1900. The Filipino term báhay kúbo roughly means "country house", from Tagalog.The term báhay ("house") is derived from Proto-Malayo-Polynesian *balay referring to "public building" or "community house"; [4] while the term kúbo ("hut" or "[one-room] country hut") is from Proto-Malayo-Polynesian *kubu, "field hut [in rice fields]".