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Modern Musselmalet or "Blue Fluted" pattern dinner service Pieces of the "Flora Danica" dinner service, Christiansborg Palace. Starting in the 17th century, Europeans, long fascinated by the blue and white porcelain exported from China during the Ming and Qing dynasties, began to imitate the precious ware. [3]
Blue and white ware did not accord with Chinese taste at that time, the early Ming work Gegu Yaolun (格古要論) in fact described blue as well as multi-coloured wares as "exceedingly vulgar". [16] Blue and white porcelain however came back to prominence in the 15th century with the Xuande Emperor, and again developed from that time on. [14]
Delftware or Delft pottery, also known as Delft Blue [1] (Dutch: Delfts blauw) or as delf, [2] is a general term now used for Dutch tin-glazed earthenware, a form of faience. Most of it is blue and white pottery, and the city of Delft in the Netherlands was
Exotic blue-and-white designs from China were particularly prized by Dutch and European elites. The decline of the Ming dynasty following the death of the Wanli Emperor negatively impacted Sino-Dutch trade, including earthenware, to the extent that Dutch merchants decided the only solution was to produce such objects locally.
Characteristically the background colour is white and the image blue, but various factories have used other colours in monochrome tints and there are Victorian versions with hand-touched polychrome colouring on simple outline transfers. In the United States of America, the pattern is commonly referred to as Blue Willow.
JIESIA porcelain; the main manufacturer in the post-soviet region and the only bone china company in the Baltic States 1941: Figgjo porcelain: Sandnes: Norway: Figgjo is a trend-setting porcelain manufacturer for the professional kitchen (see www.figgjo.com) 1955 JEMA KERAMISCH ATELIER N.V. Maastricht: Netherlands: Jema Holland ceramic studio. 1969