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In 1942, Blue Horses was purchased by the Walker Art Center in Minneapolis, Minnesota through The T. B. Walker Foundation and its Gilbert M. Walker Memorial Fund. This was the first major modernist work to enter the collection.
Blue Horse I is an oil painting by Franz Marc completed in 1911. It is one of the painter's most famous works and is part of the collection of the Städtische Galerie im Lenbachhaus in Munich . The painting was part of several exhibitions that Franz Marc and fellow Russian painter Wassily Kandinsky presented to the public under the name Der ...
Blue Mustang (colloquially known as Blucifer) [1] [2] is a cast-fiberglass sculpture of a mustang located at Denver International Airport (DEN). Colored bright blue, with illuminated glowing red eyes, it is notable both for its striking appearance and for having killed its sculptor, Luis Jiménez, when a section of it fell on him at his studio.
Franz Moritz Wilhelm Marc (8 February 1880 – 4 March 1916) [1] was a German painter and printmaker, one of the key figures of German Expressionism.He was a founding member of Der Blaue Reiter (The Blue Rider), a journal whose name later became synonymous with the circle of artists collaborating in it.
Wassily Kandinsky, cover of Der Blaue Reiter almanac, c. 1912. Der Blaue Reiter (The Blue Rider) was a group of artists and a designation by Wassily Kandinsky and Franz Marc for their exhibition and publication activities, in which both artists acted as sole editors in the almanac of the same name (first published in mid-May 1912).
The Tower of Blue Horses was a large work, 200 by 130 centimetres (6 ft 7 in × 4 ft 3 in). [1] Most of the picture is occupied by a frontal view of four primarily blue horses, arranged in a tier to the right of centre, facing the viewer but with their heads turned to the left; the foremost horse seemed "only a little less than life size" to at least one writer. [2]
Luis Alfonso Jiménez Jr. (July 30, 1940 – June 13, 2006) was an American sculptor and graphic artist of Mexican descent who identified as a Chicano. [1] [2] He was known for portraying Mexican, Southwestern, Hispanic-American, and general themes in his public commissions, some of which are site specific.
More recent exhibitions of her work include a retrospective organized by Albright-Knox Art Gallery in Buffalo, New York (1992–1994), which traveled to Washington, D.C., St. Louis, Chicago, and Seattle (1992); a retrospective at the Museo de Arte Contemporáneo in Monterrey, Mexico (1996); a survey of prints and drawings presented by the ...