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McFarlane concluded that With Friends Like These showcases some of Frith and Kaiser's "most striking performances", and demands repeated listening, which, he said, is unusual for this type of music. [6] Also writing in AllMusic, Rick Anderson described With Friends Like These as "one of the defining documents of the downtown avant-garde scene". [5]
In jazz chords and theory, most triads that appear in lead sheets or fake books can have sevenths added to them, using the performer's discretion and ear. [1] For example, if a tune is in the key of C, if there is a G chord, the chord-playing performer usually voices this chord as G 7.
Friends & Enemies is a 1999 double-CD compilation album of studio and live material by Fred Frith and Henry Kaiser.It contains the complete collaborative recordings of Frith and Kaiser from 1979 to 1999, namely their two studio albums With Friends Like These (1979) and Who Needs Enemies?
With Friends Like These..., 1998 American film; With Friends Like These, 1979 studio album by Fred Frith and Henry Kaiser; With Friends Like These, 2007 Flemish film; With Friends Like These "With Friends Like These" , a 1997 television episode "With Friends Like" These (Rocko's Modern Life), a story from a 1996 television episode
A common chord progression with these chords is I-♭ VII–IV-I, which also can be played as I-I-♭ VII–IV or ♭ VII–IV-I-I. The minor-third step from a minor key up to the relative major encouraged ascending scale progressions, particularly based on an ascending pentatonic scale. Typical of the type is the sequence i–III–IV (or iv ...
c [10] You Can Play These Songs with Chords is an early (1996–97) demo from the rock band Death Cab for Cutie , which at the time consisted entirely of founder Ben Gibbard . This demo was originally released on cassette by Elsinor Records.
The simplest example of altered chords is the use of borrowed chords, chords borrowed from the parallel key, and the most common is the use of secondary dominants. As Alfred Blatter explains, "An altered chord occurs when one of the standard, functional chords is given another quality by the modification of one or more components of the chord." [2]
The most basic three-chord progressions of Western harmony have only major chords. In each key, three chords are designated with the Roman numerals (of musical notation): The tonic (I), the subdominant (IV), and the dominant (V). While the chords of each three-chord progression are numbered (I, IV, and V), they appear in other orders.