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The Sound Recording Amendment of 1971 extended federal copyright to recordings fixed on or after February 15, 1972, and declared that recordings fixed before that date would remain subject to state or common law copyright.
On January 1, 2022, all sound recordings published before 1923 entered the public domain – the first sound recordings to involuntarily lose copyright protection in US history. (Creators have always been free to surrender copyright protection and deed their sound recordings into the public domain, as Tom Lehrer would do later in 2022 after ...
Sound recordings, on the other hand, were generally protected until at least 2022. [4] Before 1976, sound recordings were not protected by national copyright law in the United States; instead, the protection of these works was under the jurisdiction of the state and local governments.
The United States Constitution provides for establishing a system of extensive copyright laws in the United States. ... improve public records about copyright ...
Along the way, Congress extended copyright protection from written works to movies, recordings, performances and ultimately to almost all works, both published and unpublished.
Introduced in the United States Senate as S.227 by Orrin Hatch (R–UT) on January 13, 1995; Committee consideration by Senate Judiciary Committee; House Judiciary Committee (Subcommittee on Courts and Intellectual Property) Passed the United States Senate on November 1, 1995 Passed the United States House of Representatives on October 17, 1995
Mitch Glazier, CEO of the music industry trade group the Recording Industry Association of America (RIAA), said that the lawsuits "document shameless copying of troves of recordings in order to ...
The Audio Home Recording Act of 1992 (AHRA) amended the United States copyright law by adding Chapter 10, "Digital Audio Recording Devices and Media". The act enabled the release of recordable digital formats such as Sony 's Digital Audio Tape without fear of contributory infringement lawsuits.