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La mamma morta" (The dead mother) is a soprano aria from act 3 of the 1896 opera Andrea Chénier by Umberto Giordano. [1] It is sung by the character Maddalena di Coigny to Gérard about how her mother died protecting her during the turmoils of the French Revolution. [2] It was recorded in 1954 by Maria Callas.
In addition to four arias for the principal tenor ("Un dì all'azzurro spazio"; "Io non amato ancor"; "Si, fui soldato"; "Come un bel dì di maggio"), the opera contains a well-known aria ("La mamma morta") for the soprano heroine, which was featured in the film Philadelphia (the Maria Callas version is used on the soundtrack. [3])
Aprile Millo was suitably overcome by emotion in "La mamma morta". Mirella Freni was forcefully eloquent in "Io son l'umile ancella". And Pavarotti and Domingo joined forces in a duet from La Bohème, "clowning with scarves, clasping shoulders and hands and showing a subtle but good-hearted rivalry in their singing and bows". [2]
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"Où va la jeune Indoue" (Bell Song) 70 Andrea Chénier: Giordano "La mamma morta" 69 The Merry Widow: Lehár "Es lebt' eine Vilja, ein Waldmägdelein" (Vilia Song) 68 La traviata: Verdi "Madamigella Valéry... Pura siccome un angelo ...Dite alla giovine" (act 2, scene 5) 67 Götterdämmerung: Wagner Siegfried's Funeral Music (act 3) 66 La ...
La Mamma morta (Andrea Chenier) Singer: Maria Callas. Orchestra: Philharmonia Orchestra. Conductor: Tullio Serafin. Gunnar Thordarson It shall be so... (Ragnheidur) Singer: Elmar Gilbertsson. Singer: Thora Einarsdottir. Antonio Vivaldi Summer (Four Seasons) Composer: Max Richter. Performer: Daniel Hope. Orchestra: Kammerorchester Berlin.
Rita Ori Filomena Merk-Pavone (née Pavone, Italian: [ˈriːta paˈvoːne]; born August 23, 1945) [1] is an Italian-Swiss pop singer, actress and showgirl, who enjoyed success through the 1960s.
Charles Aznavour first recorded "La mamma" for a 1962 EP with his version serving as title cut for his 1963 album release. The first single release was by Les Compagnons de la chanson which reached #80 on the French charts in late 1963: the Aznavour version was then issued as a single to reach #1 in France in February 1964.