Search results
Results From The WOW.Com Content Network
The main material used for jewelry design in antiquity and leading into the Middle Ages was gold. [1] Many different techniques were used to create working surfaces and add decoration to those surfaces to produce the jewelry, including soldering, plating and gilding, repoussé, chasing, inlay, enameling, filigree and granulation, stamping ...
Band of steel plate, put together severally so that several bands can articulate on various areas like around the thighs, shoulders or waist. Such pieces are named for the number of bands, for instance, a fauld of four lame. Arming doublet or gambeson: Padded cloth worn under a harness. Rondel: Any circular plate.
Medicinal practices in the Middle Ages were often regarded as herbalism. [3] One example of a book that gave recipes and descriptions of plants, animals, and minerals was referred to as a “leechbook”, or a doctor-book that included Masses to be said to bless the healing herbs. There were over 400 herbs and plants recorded in different ...
Didron, Adolphe Napoléon, Christian Iconography: Or, The History of Christian Art in the Middle Ages, Translated by Ellen J. Millington, H. G. Bohn, (Original from Harvard University, Digitized for Google Books) – Volume I, Part I (pp. 25–165) is concerned with the halo in its different forms, though the book is not up to date. Dodwell, C. R.,
This was actually a series of designs including the Polden Hill type, the Langton Down type, the Colchester type and the T-Shaped type. Dolphin fibulae have a smooth arched bow that tapers from the head to end in a long point. The long bilateral spring is covered. From the top the Dolphin fibula looks like a T or the late-Roman crossbow fibula.
Art in the Middle Ages is a broad subject and art historians traditionally divide it in several large-scale phases, styles or periods. The period of the Middle Ages neither begins nor ends neatly at any particular date, nor at the same time in all regions, and the same is true for the major phases of art within the period. [10]
The decoration of these pots is restricted to purely abstract elements and very often includes broad horizontal bands about the neck and belly and concentric circles applied with compass and multiple brush. Many other simple motifs can be found, but unlike many pieces in the following Geometric style, typically much of the surface is left plain ...
The archetypical stone circle is an uncluttered enclosure, large enough to congregate inside, and composed of megalithic stones. Often similar structures are named 'stone circle', but these names are either historic, or incorrect. Examples of commonly misinterpreted stone circles are ring cairns, burial mounds, and kerb cairns.