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Punch, or The London Charivari was a British weekly magazine of humour and satire established in 1841 by Henry Mayhew and wood-engraver Ebenezer Landells.Historically, it was most influential in the 1840s and 1850s, when it helped to coin the term "cartoon" in its modern sense as a humorous illustration.
Pages in category "Punch (magazine) cartoonists" The following 61 pages are in this category, out of 61 total. This list may not reflect recent changes. A.
The Rhodes Colossus is an editorial cartoon illustrated by English cartoonist Edward Linley Sambourne and published by Punch magazine in 1892. The cartoon depicts British business magnate Cecil Rhodes as a giant straddling over Africa holding a telegraph line grounded at the northern and southern ends of the continent, a reference to his desire ...
This is a list of cartoonists, visual artists who specialize in drawing cartoons.This list includes only notable cartoonists and is not meant to be exhaustive. Note that the word 'cartoon' only took on its modern sense after its use in Punch magazine in the 1840s - artists working earlier than that are more correctly termed 'caricaturists',
1891 self-portrait. Edward Linley Sambourne (4 January 1844 – 3 August 1910) was an English cartoonist and illustrator most famous for being a draughtsman for the satirical magazine Punch for more than forty years and rising to the position of "First Cartoonist" in his final decade.
A cartoon by Tenniel on the subject of the 1867 Lambeth Conference. As the influential result of his position as the chief cartoon artist for Punch, Tenniel remained a witness to Britain's sweeping changes. He furthered political and social reform through satirical, often radical, and at times vitriolic images of the world.
John Leech (29 August 1817 – 29 October 1864) was a British caricaturist and illustrator. [1] He was best known for his work for Punch, a humorous magazine for a broad middle-class audience, combining verbal and graphic political satire with light social comedy.
A Punch cartoon of October 2, 1912 depicting Britain, France, German Empire, Austria-Hungary, and Russian Empire sitting on a lid on top of a pot marked "Balkan Troubles", satirizing the situation in the Balkans leading up to the First Balkan War