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Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings.
Largely between the 1990s and early 2000s, at varying paces in different countries, 16:9 (e.g. 1920×1080p 60p) widescreen displays came into increasingly common use by high definitions. With computer displays, aspect ratios other than 4:3 (e.g. 1920×1440) are also referred to as "widescreen".
Kees van Dongen, before 1920, Mme Jasmy Alvin, oil on canvas, 195 x 131.5 cm, Musée national d'art moderne.jpg 1,000 × 1,500; 996 KB Le Corbusier (Charles-Édouard Jeanneret), 1920, Guitare verticale (2ème version), oil on canvas, 100 x 81 cm, Fondation Le Corbusier, Paris.jpg 387 × 480; 20 KB
The Russian Avant-Garde of 1910–1920 and Issues of Expressionism. Moscow: Nauka, 2003. Rowell, M. and Zander Rudenstine A. Art of the Avant-Garde in Russia: Selections from the George Costakis Collection. New York: The Soloman R. Guggenheim Museum, 1981. Shishanov V.A. Vitebsk Museum of Modern Art: a history of creation and a collection. 1918 ...
Strictly speaking, it refers to art unconcerned with the literal depiction of things from the visible world [1] —it can, however, refer to an object or image which has been distilled from the real world, or indeed, another work of art. Artwork that reshapes the natural world for expressive purposes is called abstract; that which derives from ...
Alfred Russell (May 27, 1920 - September 22, 2007) [1] was an artist who was a member of the early New York school of Abstract Expressionism. He exhibited in Paris and New York along with such well known painters as Willem de Kooning , Jackson Pollock , Ad Reinhardt and Mark Rothko .
It depicts a simple composition, with a low key, nearly monochrome nude woman formed by spheres, cones, and tubes with limited colors of red, yellow, black, and white. The paintings are thought to be a study for his later work, Three Women ( Le Grand Déjeuner , 1921–1922).
University of Michigan Museum of Art [10] Head of a Man, Flowered Background: Tête d'homme, fond fleuri: 1914 Etching on paper 24.4 x 19.4 cm Ann Arbor University of Michigan Museum of Art [11] Irene - Face: Irène - Masque: 1914 Etching on chine collé 8.25 cm x 5.72 cm Ann Arbor University of Michigan Museum of Art [12]