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A wreath worn for purpose of attire (in English, a "chaplet"; [1] Ancient Greek: στέφανος, romanized: stéfanos, Latin: corona), [2] is a headdress or headband made of leaves, grasses, flowers or branches. It is typically worn on celebrations, festive occasions and holy days, having a long history and association with ancient pageants ...
Wreaths and crowns in antiquity, including the laurel wreath, trace back to Ancient Greece. In Greek mythology, the god Apollo, who is patron of lyrical poetry, musical performance [a] and skill-based athletics, is conventionally depicted wearing a laurel wreath on his head in all three roles.
The laurel wreaths of a triumphator were often worn by imperial portraits, as were radiate crowns. [21] According to Pliny the Elder, the Arval Brethren, an ancient Roman priesthood, were accustomed to wear a wreath of grain sheaves. [22] Crowns and wreaths were associated by early Christians with Roman paganism and Hellenistic religion. [21]
A chaplet is a headdress in the form of a wreath made of leaves, flowers or twigs woven into a ring. [1] It is typically worn on festive occasions and on holy days. In ancient times a chaplet also served as a crown representing victory or authority .
Bust of an empress, possibly Vibia Sabina, wearing a stephane, c. AD 134 –147. A stephane (ancient Greek στέφανος, from στέφω (stéphō, “I encircle”), Lat. Stephanus = wreath, decorative wreath worn on the head; crown) was a decorative headband or circlet made of metal, often seen on depictions of high-status ancient Roman and Greek women, [1] [2] [3] as well as goddesses. [4]
The wreaths were made of gold foil, they were created to be buried with the dead but too fragile to be worn for everyday attire. [5] The myrtle leaves and blossoms on the myrtle wreath were cut from thin sheets of gold, stamped and incised details, and then wired onto the stems. [6] Many that survive today were found in graves.
The olive wreath, also known as kotinos (Greek: κότινος), [1] was the prize for the winner at the ancient Olympic Games. It was a branch of the wild olive tree [ 2 ] Kallistefanos Elea [ 3 ] (also referred to as Elaia Kallistephanos ) [ 4 ] that grew at Olympia , [ 5 ] intertwined to form a circle or a horse-shoe.
The Crown of Immortality, held by the allegorical figure Eterna (Eternity) on the Swedish House of Knights fresco by David Klöcker Ehrenstrahl. The Crown of Immortality is a literary and religious metaphor traditionally represented in art first as a laurel wreath and later as a symbolic circle of stars (often a crown, tiara, halo or aureola).