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The National Museum of Indonesia (Indonesian: Museum Nasional) is an archeological, historical, ethnological, and geographical museum located in Jalan Medan Merdeka Barat, Central Jakarta, right on the west side of Merdeka Square.
Afterwards, the building was used as the headquarter for KODIM 0503 Jakarta Barat. [3] In 1970, the Fatahillah Square was declared a Cultural Heritage. [5] This effort was the beginning of the development of the historical area of the City of Jakarta, carried out by the Government of DKI Jakarta. The Jakarta History Museum was declared as a ...
The Pieta as “Our Lady of Charity” (1723) from Cartagena, Spain. Crowned by the Pontifical decree of Pope Pius X in 1923. The Pietà is one of the three common artistic representations of a sorrowful Virgin Mary, the other two being the Mater Dolorosa ("dolorous mother") and the Stabat Mater ("standing mother").
The sculpture was purported to be an altarpiece for his funeral chapel within Old Saint Peter's Basilica. This very chapel of Saint Petronilla was later demolished and the image was later moved to its current location, the first chapel on the north side after the entrance of the new basilica, in the 18th century. [ 2 ]
The coastal area and port of Jakarta in northern West Java has been the location of human settlement since the 4th century BCE Buni culture.The earliest historical record discovered in Jakarta is the Tugu inscription, which was discovered in Tugu sub-district, North Jakarta.
The Museum of Modern and Contemporary Art in Nusantara or Museum MACAN is an art museum at Kebon Jeruk in Jakarta, Indonesia.The museum is the first in Indonesia to have a collection of modern and contemporary Indonesian and international art.
Jayakarta circa 1605–8, before its complete destruction by the Dutch, showing earlier pre-colonial structures before Batavia was founded. Colonial buildings and structures in Jakarta include those that were constructed during the Dutch colonial period of Indonesia.
This final sculpture revisited the theme of the Virgin Mary mourning over the emaciated body of the dead Christ, which he had first explored in his Pietà of 1499. Like his late series of drawings of the Crucifixion and the sculpture of the Deposition of Christ intended for his own tomb, it was produced at a time when Michelangelo's sense of ...