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With a similar style but a slightly more detached, acerbic and barbed satirical view of his characters, he also tended to depict a more middle-class society than Dickens did. He is best known for his novels The Luck of Barry Lyndon (1844) and Vanity Fair (1847–1848) which are examples of a popular form in Victorian literature: a historical ...
Westlake also claimed that the use of letters of well-written and eloquent individuals can be adapted to improve letter-writing style. [9] In the New London Fashionable Gentleman's Writer, is an example of the usage of letter writing as a collection of quaint correspondences between hopeful men and the ladies they wished to court. [11]
Sage writing was a genre of creative nonfiction popular in the Victorian era. The concept originates with John Holloway's 1953 book The Victorian Sage: Studies in Argument. Sage writing is a development from ancient wisdom literature in which the writer chastises and instructs the reader about contemporary social issues, often utilising ...
[131] His innovative writing style, known as Carlylese, greatly influenced Victorian literature and anticipated techniques of postmodern literature. [132] In his philosophy, while not adhering to any formal religion, Carlyle asserted the importance of belief during an age of increasing doubt.
In his apprentice years, culminating with the masterwork The Portrait of a Lady, his style was simple and direct (by the standards of Victorian magazine writing) and he experimented widely with forms and methods, generally narrating from a conventionally omniscient point of view. Plots generally concern romance, except for the three big novels ...
Mary Ann Evans (22 November 1819 – 22 December 1880; alternatively Mary Anne or Marian [1] [2]), known by her pen name George Eliot, was an English novelist, poet, journalist, translator, and one of the leading writers of the Victorian era. [3]
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Frederic Harrison deemed Carlyle the "literary dictator of Victorian prose." [30] T. S. Eliot complained that "Carlyle partly originates and partly marks the disturbances in the equilibrium of English prose style", a problem that only disappeared with Ulysses. [31]