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The Song of Hiawatha (full name: Scenes from The Song of Hiawatha by Henry Wadsworth Longfellow), Op. 30, is a trilogy of cantatas written by Samuel Coleridge-Taylor between 1898 and 1900. The first part, Hiawatha's Wedding Feast, was particularly famous for many years and made the composer's name known throughout the world.
Samuel Coleridge-Taylor (15 August 1875 – 1 September 1912) was a British composer and conductor. Of mixed-race descent, Coleridge-Taylor achieved such success that he was referred to by white musicians in New York City as the "African Mahler" when he had three tours of the United States in the early 1900s. [1]
The most celebrated setting of Longfellow's story was the cantata trilogy, The Song of Hiawatha (1898–1900), by the English composer Samuel Coleridge-Taylor. The first part, "Hiawatha's Wedding Feast" (Op. 30, No. 1), [ 49 ] based on cantos 11–12 of the poem, was particularly famous for well over 50 years, receiving thousands of ...
He was also influenced by the composer Samuel Coleridge-Taylor who composed a set of three cantatas called The Song of Hiawatha based on a poem of the same name by American poet Henry Wadsworth Longfellow. [8] [9] Some of the music reminded Dett of the spirituals he had learned from his grandmother.
Late in the century, Gustav Mahler wrote his early Das klagende Lied on his own words between 1878 and 1880, and Samuel Coleridge-Taylor created a successful trilogy of cantatas, The Song of Hiawatha between 1898 and 1900.
May 5 - Samuel Coleridge-Taylor's trilogy The Song of Hiawatha receives its first American performance as Charles E. Knauss conducts the Orpheus Oratorio Society in Easton, Pennsylvania; September 9 - Samuel Coleridge-Taylor's sacred cantata The Atonement, Op. 53 receives its first performance at the Hereford Festival in Hereford, England.
William de Leftwich Dodge's painting Death-Of-Minnehaha "The Death of Minnehaha" was a part of Henry Wadsworth Longfellow's 1855 poem The Song of Hiawatha. It was rendered by the painter William de Leftwich Dodge in 1892, as the painting Death-Of-Minnehaha.
During Coleridge's 1793 summer vacation from Christ's Hospital, he stayed with his family members in Ottery St Mary, Devon. [1] Both "Songs of the Pixies" and the smaller "To Miss Dashwood Bacon", written during this time, refer to The Pixies' Parlour, a place near Ottery and to events taking place during Coleridge's vacation: the locals during that time dubbed Miss Boutflower as "fairy queen ...