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Propaganda was a crucial tool of the German Nazi Party from its earliest days in 1920, after its reformation from the German Worker’s Party (DAP), to its final weeks leading to Germany's surrender in May 1945. As the party gained power, the scope and efficacy of its propaganda grew and permeated an increasing amount of space in Germany and ...
A propaganda poster supporting the boycott declared that "in Paris, London, and New York German businesses were destroyed by the Jews, German men and women were attacked in the streets and beaten, German children were tortured and defiled by Jewish sadists", and called on Germans to "do to the Jews in Germany what they are doing to Germans abroad."
German Museum in Munich, featuring a poster of the antisemitic Nazi propaganda film The Eternal Jew (1937) With the establishment of Department V (Film), the Propaganda Ministry became the most important body for the German film industry alongside the Reich Chamber of Culture and the Reich Film Chamber. Initially little changed in the formal ...
A Nazi propaganda poster of Hitler used during the 1932 German presidential election campaign. Adolf Hitler's cult of personality was a prominent feature of Nazi Germany (1933–1945), [1] which began in the 1920s during the early days of the Nazi Party.
Propaganda poster aimed at the German home front: "Work for victory as hard as we fight for it!" The Reich Ministry of Public Enlightenment and Propaganda was established in 1933. Goebbels, who was appointed by Adolf Hitler to lead the ministry, used radio, press, books, films, and all other forms of communication media to promote the Nazi ...
Untermensch (German pronunciation: [ˈʔʊntɐˌmɛnʃ] ⓘ; plural: Untermenschen) is a German language word literally meaning 'underman', 'sub-man', or 'subhuman', which was extensively used by Germany's Nazi Party to refer to their opponents and non-Aryan people they deemed as inferior.
James Montgomery Flagg’s famous “Uncle Sam” propaganda poster, made during World War I. Propaganda is communication that is primarily used to influence or persuade an audience to further an agenda, which may not be objective and may be selectively presenting facts to encourage a particular synthesis or perception, or using loaded language to produce an emotional rather than a rational ...
Along with the posters, the Nazi Party also published miniature versions the size of playing cards, which were often attached to official communications. [8] Around 125,000 poster-size copies were printed of each issue and posted in "every imaginable public place", such that, according to Herf, people in Germany "could not avoid" seeing it. [16]