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Mufaro's Beautiful Daughters is a children's picture book published in 1987 by John Steptoe. The book won many awards for Steptoe's illustrations, and went on to be adapted into many different children's literature curricula. In the late 1980s, Weston Woods made a version of the book, narrated by Terry Alexander.
John Steptoe (September 14, 1950 – August 28, 1989) was an author and illustrator for children’s books dealing with aspects of the African-American experience. He is best known for Mufaro's Beautiful Daughters, which was acknowledged by literary critics as a breakthrough in African history and culture.
Alice Sola Kim is an American science fiction writer living in Brooklyn, New York.Kim was a 2016 Whiting Award recipient. [1] Her writings have appeared in McSweeney's Quarterly, The Magazine of Fantasy & Science Fiction, Tin House, Lenny Letter, Asimov's Science Fiction, Buzzfeed, and Strange Horizons.
Mom frequently raged at me too. I can’t count the number of times I heard, “You’re such a slob,” or, “What a stupid thing to say,” or, “You’re lazy,” or, “You don’t have any ...
Pishi is the girls’ aunt. Pishi's youngest brother, Bijoy Chatterjee, married Gouri. Anju is their daughter. So in addition to Pishi and Gouri, there is Nalini, Sudha's mother. Beautiful and calm, Sudha is a storyteller and dreams of designing clothes and having a family. Anju has a fierce spirit and longs to study Literature in college.
It's a Wonderful Afterlife is a 2010 British comedy film directed by Gurinder Chadha. The screenplay centres on an Indian mother whose obsession with marrying off her daughter leads her into the realm of serial murder. It was filmed primarily in English, with some Hindi and Punjabi dialogue. [2]
What does every mother and expecting mother want their daughters to know? When asked, the responses had a surprising powerful theme! This is the most exciting time for women in our history and it ...
In the Mahabharata, all the seven mothers are described as fatal or serve as threats to foetuses or infants. They are described as living in trees, crossroads, caves and funeral grounds and they are terrible as well as beautiful. [10] But, in the sculptural portrayal, they are depicted quite differently as protectors and benevolent mothers.