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Some of the instrumental pieces, used to record the score, includes the ADS (Advanced Digital Synthesizer) 11, manufactured from Con Brio, Inc., [5] Blaster Beam, an electronic instrument 12 to 15 feet (3.7 to 4.6 m) long, [6] [7] created by musician Craig Huxley, [1]: 89 and several state-of-the-art synthesisers used as musical instruments, notably the Yamaha CS-80, ARP 2600, Oberheim OB-X ...
The set was designed and fabricated in four and a half weeks, and was filmable from all angles; parts of the set were designed to pull away for better camera access at the center. During production, Star Trek used 11 of Paramount's 32 sound stages, more than any other film done there at the time. To save money, construction coordinator Gene ...
Craig Huxley demonstrates the blaster beam at a June 2012 screening of Star Trek: The Motion Picture in Los Angeles, CA. The blaster beam is a concept electric musical instrument consisting of a 12 to 18-foot (3.5 to 5.5 m) long metal beam strung with numerous tensed wires under which are mounted electric guitar pickups which can be moved to alter the sound produced.
Star Trek: Music from the Motion Picture is a soundtrack album for the 2009 film Star Trek, composed by Michael Giacchino. The score was recorded in October 2008 ...
The score for Star Trek: The Motion Picture was written by Jerry Goldsmith, who would later compose the scores Star Trek V: The Final Frontier, Star Trek: First Contact, Star Trek: Insurrection, and Star Trek: Nemesis, as well as the themes to the television series Star Trek: The Next Generation and Star Trek: Voyager.
Because Mangini was concerned about creating continuity within Star Trek ' s sounds, he decided to reuse some effects rather than create new and different-sounding ones—as such, the Bird-of-Prey's cloak effect, beaming sounds, and the Enterprise engines sound similar to that of past movies. Mangini collaborated with Shatner to work out how ...
The First Contact soundtrack was released by the independent label GNP Crescendo Records—which distributed all of the Star Trek film and television soundtracks—on December 2, 1996, [7] [8] The album contained 51 minutes of music, with 35 minutes of Jerry Goldsmith's score, 10 minutes of additional music by Joel Goldsmith, and two licensed songs—Roy Orbison's "Ooby Dooby" and Steppenwolf ...
Star Trek II: The Wrath of Khan is a 1982 science fiction film directed by Nicholas Meyer, based on the television series Star Trek and is the second film in the Star Trek film series, following Star Trek: The Motion Picture (1979). The film is scored by James Horner, in his first major film score he composed in his career. [1]