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The theoretical foundations of Odissi trace to the ancient Sanskrit text Natya Shastra, its existence in antiquity evidenced by the dance poses in the sculptures of Kalingan temples, [1] [6] and archeological sites related to Hinduism, Buddhism and Jainism.
Like many other poses used in traditional Indian dance, including Odissi, Bharata Natyam and Kathak, Tribhangi or Tribhanga can be found in Indian sculpture as well. . Traditionally the Yakshi is shown with her hand touching a tree branch, and a sinuous pose, tribhanga pose, as is Salabhanjika, whose examples dating to the 12th century can be found in the Hoysala temples of Belur, in south ...
Odissi dance is a combination of tandava (vigorous, masculine) and lasya (graceful, feminine) dances. It has two basic postures: tribhangi (in which the body is held with bends at the head, torso and knees) and chouka (a square-like stance, symbolising Jagannath). Fluidity in the upper torso is characteristic of Odissi dance, which is often ...
It is one of the biggest dance festivals held in Odisha. [2] The exquisite 'Salamander' or the 'dancing hall' of this shrine is an architectural wonder. Every inch of its walls has been covered with fine artistic designs of ancient times. Musicians playing drums, cymbals, and other musical instruments adorn the sculptures in Odissi dance poses. [3]
One of the most striking features of Indian classical dance and dances of Thailand, [1] Cambodia, Laos, Myanmar and the Malay world is the use of hand gestures. Speaking in dance via gestures in order to convey outer events or things visually is what mudras do. To convey inner feelings, two classifications of mudras (hand or finger gesture) are ...
Madhumita Raut is an Indian classical dancer of Odissi. She is the daughter of Mamta Khuntia and Mayadhar Raut, who contributed to the revival of Odissi in the 1950s with Shastra-based knowledge. She lives in Delhi, where she manages and teaches at the Jayantika Association's Mayadhar Raut School of Odissi Dance. [1]
Kelucharan Mohapatra (8 January 1926 – 7 April 2004) was a legendary Indian classical dancer, guru, and exponent of Odissi dance, who is credited with the revival and popularizing of this classical dance form in the 20th century. [2] He is the first person to receive the Padma Vibhushan from Odisha. [3]
Surendra Nath Jena (10 October 1924 – 8 October 2007) was a notable Odissi dancer renowned for his contributions to the art form. His dance style was characterized by a comprehensive integration of diverse elements of Indian culture, including temple sculpture, ancient dance forms, Sanskrit and vernacular literature, yoga, traditional painting, manuscripts, and philosophy.