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The swastika is a symbol with many styles and meanings and can be found in many cultures. The appropriation of the swastika by the Nazi Party is the most recognisable modern use of the symbol in the Western world. The swastika (卐 or 卍) is a symbol used in various Eurasian religions and cultures, as well as a few African and American cultures.
The swastika (卍 wàn; "infinity", "all") in Chinese and other cultures is a symbol of the universe, or the manifestation and creativity of God. It was one of a number of new redemptive societies founded in early 20th-century China, that compared to previous redemptive societies that focused on salvation of China, aimed for salvation of the world, drawing upon Western examples such as the Red ...
The pentacle or pentagram has a long history as a symbol used in alchemy and western occultism; it was adopted as a symbol in Wicca in c. the 1960s. There was a campaign to recognize it as a symbol representing Wicca as a religion on US veteran headstones since the late 1990s, and the symbol was recognized for use on such headstones in 2007. [19]
The aviator Matilde Moisant wearing a swastika square medallion in 1912. The symbol was popular as a good luck charm with early aviators. The discovery of the Indo-European language group in the 1790s led to a great effort by European archaeologists to link the pre-history of European people to the hypothesised ancient "Aryans" (variously referring to the Indo-Iranians or the Proto-Indo ...
The swastika was also a symbol of protection from evil. [75] The ancient swastika (which are also Chinese characters, mainly 卍 and 卐) is common in Buddhist art. It is widely used in East Asia to represent Buddhism, and Buddhist temples. Buddhist symbols like the swastika have also been used as a family emblem by Japanese clans. [76]
A dictionary of Chinese symbols : hidden symbols in Chinese life and thought. London: Routledge & Kegan Paul. ISBN 978-0-203-03877-2. OCLC 826514710. Ren, Liqi (2013). Traditional Chinese visual design elements: their applicability in contemporary Chinese design (Master of Science in Design thesis). Arizona State University.
[1] Exceptions to this include characters in certain writing systems that are also in use as political or religious symbols, such as 卐 (U+5350), the swastika encoded as a Chinese character (although it is also encoded as a religious symbol at U+0FD5); or ॐ (U+0950), the Om symbol which is, strictly speaking, a Devanagari ligature.
Chinese theology, which comes in different interpretations according to the Chinese classics and Chinese folk religion, and specifically Confucian, Taoist, and other philosophical formulations, [1] is fundamentally monistic, [2] that is to say it sees the world and the gods of its phenomena as an organic whole, or cosmos, which continuously emerges from a simple principle. [3]