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The first Shelley to join the company was Joseph Ball Shelley in 1862 and in 1896 his son Percy Shelley became the sole proprietor, after which it remained a Shelley family business until 1966 when it was taken over by Allied English Potteries. Its china and earthenware products were many and varied although the major output was table ware.
Shelley had not received any formal training in pottery, but became known first and foremost as a potter and went on to develop the lasting reputation of Shelley China. Wanting to improve the ware that the company was producing and to get a better understanding of the export market, especially America, Shelley went to the US and visited the ...
Goss crested china is typically in the form of small white glazed porcelain models, made from 1858 to 1939, carrying the coat of arms of the place where they were sold as a souvenir, thus being a form of model heraldic china. Other factories, including Carlton, Shelley and Arcadian, also made souvenir ware but Goss is still the most collectable.
Chintzware, or chintz pottery, describes chinaware and pottery covered with a dense, all-over pattern of flowers (similar to chintz textile patterns) or, less often, other objects. It is a form of transferware where the pattern is applied by transfer printing as opposed to the more traditional method of painting by hand.
20th-century Jingdezhen ware, with factory mark: 中国景德镇 ("China Jingdezhen") and MADE IN CHINA in English. A factory mark is a marking affixed by manufacturers on their productions in order to authenticate them. Numerous factory marks are known throughout the ages, and are essential in determining the provenance or dating of productions.
Kangxi reign marks on porcelain are few throughout the ceramic period, but a few can be identified with the pre‑1677 decades. Earlier Ming period marks can frequently be found. Their styles closely match the few Kangxi marks that are found and aid in delineating Kangxi transitional porcelain. [8]
White pottery, already known in neolithic period, peaked in Shang era, but became rare during the reign of Western Zhou, perhaps due to the increased production of imprinted hard pottery and proto-porcelain. [18] Hard pottery, imprinted with geometric patterns on the surface, was finer and harder than regular pottery.
In 1985, a series of pieces were produced under the title The Bizarre Collection, with the mark for the "Royal Staffordshire Pottery by Clarice Cliff", and marketed by the Midwinter pottery. The three principal designs produced were Honolulu on a 12-inch Mei Ping vase, Summerhouse on a 13-inch wall plate and a striking version of Umbrellas and ...