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At home, the Rizal ladies recovered a folded paper from the stove. On it was written an unsigned, untitled and undated poem of 14 five-line stanzas. The Rizals reproduced copies of the poem and sent them to Rizal's friends in the country and abroad. In 1897, Mariano Ponce in Hong Kong had the poem printed with the title "Mí último pensamiento ...
In this poem, it is the Filipino youth who are the protagonists, whose "prodigious genius" making use of that education to build the future, was the "bella esperanza de la patria mía" (beautiful hope of the motherland). Spain, with "pious and wise hand" offered a "crown's resplendent band, offers to the sons of this Indian land."
The Philippine revolution brought a wave of nationalistic literary works, with propagandists and revolutionaries advocating for Filipino representation or independence from Spanish authority. Illustrados like Pedro Alejandro Paterno, Graciano Lopez Jaena, Marcelo H. del Pilar, and Jose Rizal contributed to the development of Philippine literature.
The funeral march transferring Rizal's urn to Bagumbayan (present-day Rizal Park), Manila, on December 30, 1912 On December 29, 1912, the urn was transferred from Binondo to the Marble Hall of the Ayuntamiento de Manila , the municipal building, in Intramuros where it remained on public display from 9:00 a.m. to 5:00 p.m., guarded by the ...
The poem incorporates a complex reliance on assonance, which is found in very few English poems. Within "Ode on a Grecian Urn", an example of this pattern can be found in line 13 ("Not to the sensual ear, but, more endear'd") where the "e" of "sensual" connects with the "e" of "endear'd" and the "ea" of "ear" connects with the "ea" of "endear'd".
Coates's Rizal Philippine Nationalist and Martyr is the second biographical account of the life and career of Rizal authored by a non-Filipino (the first was Vida y Escritos del Dr. José Rizal or "Life and Writings of Dr. José Rizal" written by W.E. Retana that was published in 1907, thus Coates's book on Rizal was the first European biography of Rizal since that year).
Del Pilar urged Rizal to write a letter in Tagalog to "las muchachas de Malolos," adding that it would be "a help for our champions [campoenes] there and in Manila." [30] [36] At the time, Rizal was well known in the Philippines for his anti-clerical 1887 novel Noli Me Tángere. [37]
Rizal Without the Overcoat is a book by Filipino writer Ambeth Ocampo, adapted from his "Looking Back" column in the Philippine Daily Globe from October 1987 to July 1990. . These writings were attempts to "translate" José Rizal and his historical context so that he could be better understood by a new generation—to present "a "new" Rizal that had been obscured by school and myth.