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In normal voice production, exhaled air moves out of the lungs and passes upward through the vocal tract. [23] At the level of the larynx, the exhaled air causes the vocal folds to move toward the midline of the tract (a process called adduction). The adducted vocal folds do not close completely but instead remain partially open.
Puberphonia (also known as mutational falsetto, functional falsetto, incomplete mutation, adolescent falsetto, or pubescent falsetto) is a functional voice disorder that is characterized by the habitual use of a high-pitched voice after puberty, hence why many refer to the disorder as resulting in a 'falsetto' voice. [1]
[3] [4] People are accustomed to the sound of their voice from the combination of internal and external stimuli, so people "build our self-image and vocal self image around what we hear, rather than the reality" according to Birchall. [2] In a 1967 study, only 38% of people were able to identify recordings of their own voice within 5 seconds ...
A voice change or voice mutation, sometimes referred to as a voice break or voice crack, commonly refers to the deepening of the voice of men as they reach puberty.Before puberty both sexes have roughly similar vocal pitches, but during puberty the male voice typically deepens an octave, while the female voice usually deepens only by a few tones.
There are two variables to degrees of voicing: intensity (discussed under phonation), and duration (discussed under voice onset time). When a sound is described as "half voiced" or "partially voiced", it is not always clear whether that means that the voicing is weak (low intensity) or if the voicing occurs during only part of the sound (short ...
"You just filled this whole place up with love," coach Michael Bublé said to his contestant
Sound masking is the inclusion of generated sound (commonly, though inaccurately, referred to as "white noise" or "pink noise") into an environment to mask unwanted sound. It relies on auditory masking. Sound masking is not a form of active noise control (noise cancellation technique); however, it can reduce or eliminate the perception of sound ...
Use of creaky voice across general speech and in singing is termed "vocal fry". Some evidence exists of vocal fry becoming more common in the speech of young female speakers of American English in the early 21st century, [8] with researcher Ikuko Patricia Yuasa finding that college-age Americans perceived female creaky voice as "hesitant, nonaggressive, and informal but also educated, urban ...