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The highly metaphorical work is still celebrated for its deeply Vedantic and Sufi incantations and philosophical undertones [1] and is an important work in the Chhayavaad (Neo-romanticism) literary movement of early 20th century Hindi literature. All the rubaaiaa (the plural for rubaai) end in the word madhushala.
The prevalence of Vedanta thought is found not only in philosophical writings but also in various forms of literature, such as the epics, lyric poetry, drama and so forth. ... the Hindu religious sects, the common faith of the Indian populace, looked to Vedanta philosophy for the theoretical foundations for their theology. The influence of ...
Hindi literature (Hindi: हिंदी साहित्य, romanized: hindī sāhitya) includes literature in the various Central Indo-Aryan languages, also known as Hindi, some of which have different writing systems. Earliest forms of Hindi literature are attested in poetry of Apabhraṃśa such as Awadhi and Marwari.
Chitralekha is a 1934 Hindi novel by the Indian novel writer Bhagwati Charan Verma about the philosophy of life, love, sin and virtue. It is said to be modelled on Anatole France's 1890 novel Thaïs but set in India. [1] However, the author noted in the book's preface:
Thus, states Nicholson, the colonial era Indologist definition of astika and nastika schools of Indian philosophy, was based on a narrow study of literature such as a version of Manusmriti, while in truth these terms are more complex and contextually apply within the diverse schools of Indian philosophies.
Literary essays. He was a prominent Hindi critic of Dwivedi and Shukla Yuga during the early half of the 20th century, which was the golden age of Hindi literature. He, along with the likes of Mahaveer Prasad Dwivedi and Acharya Ramchandra Shukla, gave the form a much-needed philosophical and analytical impetus. Satire.
In Indian philosophy, of which Hindu philosophy is a prominent subset, the word used for philosophy is Darshana (Sanskrit: दर्शन; meaning: "viewpoint or perspective"), from the Sanskrit root 'दृश' (drish) meaning 'to see, to experience'. [1]
In the text, the Mughal historian Abu'l-Fazl ibn Mubarak summarizes the Charvaka philosophy as "unenlightened" and characterizes their works of literature as "lasting memorials to their ignorance". He notes that Charvakas considered paradise as "the state in which man lives as he chooses, without control of another", while hell as "the state in ...