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Popular music has used parody in a variety of ways. These include parodies of earlier music, for comic or (sometimes) serious effect; parodies of musical and performing styles; and parodies of particular performers. Before the 20th century, popular song frequently borrowed hymn tunes and other church music and substituted secular words.
The quodlibet took on additional functions between the beginning and middle of the 19th century, when it became known as the potpourri and the musical switch.In these forms, the quodlibet would often feature anywhere from six to fifty or more consecutive "quotations"; the distinct incongruity between words and music served as a potent source of parody and entertainment. [4]
The original use of the term "parody" in music referred to re-use for wholly serious purposes of existing music. In popular music that sense of "parody" is still applicable to the use of folk music in the serious songs of such writers as Bob Dylan, but in general, "parody" in popular music refers to the humorous distortion of musical ideas or lyrics or general style of music.
The first music parody “In Living Color” tackled in its first season was MC Hammer’s ubiquitous “U Can’t Touch This.” With Tommy Davidson playing the superstar rapper, he and the cast ...
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The fake Euro-pop single has incredible "almost correct English" lyrics that people can't stop saying on Twitter and Tumblr.
The House of Fame, a dream vision in three books in which the narrator is guided through the heavens by an otherworldly guide, has been described as a parody of the Comedy. The narrator echoes Inferno 2.32 in the poem (2.588–592).
Burlesque theatre became popular around the beginning of the Victorian era.The word "burlesque" is derived from the Italian burla, which means "ridicule or mockery". [2] [3] According to the Grove Dictionary of Music and Musicians, Victorian burlesque was "related to and in part derived from pantomime and may be considered an extension of the introductory section of pantomime with the addition ...