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Atonality in its broadest sense is music that lacks a tonal center, or key. [1] Atonality, in this sense, usually describes compositions written from about the early 20th-century to the present day, where a hierarchy of harmonies focusing on a single, central triad is not used, and the notes of the chromatic scale function independently of one another. [2]
Tonality is the arrangement of pitches and / or chords of a musical work in a hierarchy of perceived relations, stabilities, attractions, and directionality. In this hierarchy, the single pitch or the root of a triad with the greatest stability in a melody or in its harmony is called the tonic. In this context "stability" approximately means ...
Works such as Bagatelle sans tonalité ("Bagatelle without Tonality") foreshadow in intent, if not in exact manner, composers who would further explore the modern concept of atonality. [2] Liszt's work also foreshadowed the impressionism that would characterize the work of Debussy and Ravel , as shown in Les Jeux d'Eaux à la Villa d'Este (The ...
Tonality and key – together, they define the harmonic and melodic framework of a musical composition. Key – specific scale that forms the basis of the tonal structure of a piece of music. Tonality (in music) – system of organizing musical compositions around a central pitch or tonic, defining the hierarchy of pitches and chords that gives ...
}} Dynamic tonality is a paradigm for tuning and timbre which generalizes the special relationship between just intonation and the harmonic series to apply to a wider set of pseudo-just tunings and related [1] pseudo-harmonic timbres.
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In music, modulation is the change from one tonality (tonic, or tonal center) to another. This may or may not be accompanied by a change in key signature (a key change ). Modulations articulate or create the structure or form of many pieces, as well as add interest.