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Phonaesthetics (also spelled phonesthetics in North America) is the study of the beauty and pleasantness associated with the sounds of certain words or parts of words.The term was first used in this sense, perhaps by J. R. R. Tolkien, [1] during the mid-20th century and derives from Ancient Greek φωνή (phōnḗ) 'voice, sound' and αἰσθητική (aisthētikḗ) 'aesthetics'.
Example: My stick fingers click with a snicker And, chuckling, they knuckle the keys; Light-footed, my steel feelers flicker And pluck from these keys melodies. —“Player Piano,” John Updike. Euphony–A series of musically pleasant sounds that give the poem a melodious quality, conveying a sense of harmony to the reader.
Any particular instance of poetry is called a poem and is written by a poet. Poets use a variety of techniques called poetic devices, such as assonance, alliteration, euphony and cacophony, onomatopoeia, rhythm (via metre), and sound symbolism, to produce musical or other artistic effects. They also frequently organize these effects intos ...
Classical Chinese poetry forms are poetry forms or modes which typify the traditional Chinese poems written in Literary Chinese or Classical Chinese.Classical Chinese poetry has various characteristic forms, some attested to as early as the publication of the Classic of Poetry, dating from a traditionally, and roughly, estimated time of around 10th–7th century BCE.
Phanopoeia or phanopeia is defined as "a casting of images upon the visual imagination," [1] throwing the object (fixed or moving) on to the visual imagination. In the first publication of these three types, Pound refers to phanopoeia as "imagism."
Only a few of them were widely used by the professional poets (Beirdd yr Uchelwyr), and the use of some of the more complicated ones is confined to occasional poems of technical virtuosity dating to the end of the Middle Ages. The twenty four traditional Welsh poetic meters are: Awdl-gywydd; Byr-a-thoddaid; Cadwynfyr; Clogyrnach; Cyhydedd Fer ...
Ecphonesis (Greek: ἐκφώνησις) is an emotional, exclamatory phrase (exclamation) used in poetry, drama, or song. It is a rhetorical device that originated in ancient literature. A Latin example is "O tempora! O mores!" ("Oh, the times! Oh, the morals!"). A modern example is "Young man!" from the song YMCA by the Village People.
The third section discusses poetic practice: about what subjects to write; what are the distinctive qualities of good poetry; and what rules of composition apply to individual genres of poetry. Examples from classical and modern poetry illustrate how poetry achieves its purposes: to teach, to move, and to delight the reader.