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Advised by his ministers, Ravana sang hymns in praise of Shiva for a thousand years. Finally, Shiva not only forgave Ravana, but also granted him an invincible sword called the Chandrahasa. Since Ravana cried, he was given the name "Ravana" – one who cried. The verses that Ravana sang were collected and became known as the Shiva Tandava ...
Namah Shivaya means "Adoration to Lord Shiva"; this is preceded by the devotional syllable "Om". In Siddha Shaivism and Shaiva Siddhanta Shaivism traditions, Namah Shivaya is considered as Pancha Bodha Tatva of Lord Shiva and his universal oneness of five elements: [5] Na sound represents earth [5] Ma sound represents water [5] Śi sound ...
Tyagaraja is said to have composed thousands of devotional compositions, most of them in praise of Lord Rama; some of which remain very popular even today. Of special mention are five of his compositions called the Pancharatna Kriti (English: 'five gems'), which are often sung in programmes in his honor.
Shaiva Siddhanta (IAST: Śaiva-siddhānta) [1] [2] is a form of Shaivism popular in a pristine form in South India and Sri Lanka and in a Tantrayana syncretised form in Indonesia (as Siwa Siddhanta [3]) propounds a devotional philosophy with the ultimate goal of experiencing union with Shiva.
A bhajan is a Hindu devotional song, often of ancient origin. Bhajans are often simple songs in lyrical language expressing emotions of love for the Divine, whether for a single God and Goddess, or any number of divinities. [2]
The panchakshara (Sanskrit: पञ्चाक्षर) literally means "five syllables" in Sanskrit, [2] referring to the five syllables of na, ma, śi, vā, and ya forming the mantra Om Namah Shivaya. [3]
Classical album composed for a dance drama on Lord Shiva choreographed by dancer Krithika Subramaniam, with 10 songs on the CD, collected from Thiruvasagam, Thevaram, Nandanar Charitham, Adi Sankara's Ardhanarishwara Ashtakam among other devotional hymns dedicated to Shiva.
bhavābhyām ānanda sphurad-anubhavābhyāṁ natiriyam I make prostration to Shiva and Parvati, who form the embodiment of all arts (fine and practical), whose matted crests are adorned with the crescent moon, who are to each other the mutual rewards obtained by their respective austerities, who bestow on aspirants liberation and other fruits ...