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A story generator or plot generator is a tool that generates basic narratives or plot ideas. The generator could be in the form of a computer program, a chart with multiple columns, a book composed of panels that flip independently of one another, or a set of several adjacent reels that spin independently of one another, allowing a user to select elements of a narrative plot.
File:A Piece of Cake film Opening titles (1948).png; File:A Question of Supense film 1961 title screen.jpeg; File:A Sense of Loss title card.jpg; File:A Short Vision title card, circa 1956.png; File:A Test of Violence film Opening titles (1969).png; File:A Time to Kill film Opening titles (1955).png; File:A Village Affair (1995 TV movie).png
The title sequence is often presented through animated visuals and kinetic type while the credits are introduced on screen. The Morrison Studio is a leading title sequence company in both film and TV, with great examples of title design from films such as Tim Burton's Batman (1989) and Sweeney Todd (2007) through to Creation Stories (2021). Led ...
Art of the Title is the leading online resource of title design, with hundreds of title sequences available to view. The site features title design from countries around the world and aims to "honor the creators and innovators who contribute to the field, discussing and displaying their work with a desire to explicate, facilitate, and instigate."
Title sequence of the 1932 film A Farewell to Arms. Since the invention of the cinematograph, simple title cards were used to begin and end silent film presentations in order to identify both the film and the production company involved, and to act as a signal to viewers that the film had started and then finished.
These are not merely catchy sayings. Even though some sources may identify a phrase as a catchphrase, this list is for those that meet the definition given in the lead section of the catchphrase article and are notable for their widespread use within the culture. This list is distinct from the list of political catchphrases.
In it he outlines the following plot elements and ties it to a drawing, [59] following Whitcomb's prescriptions: Incident, emotion, crisis, suspense, climax, dénouement, conclusion. He does not make an accompanying diagram with any of these elements, but does argue that the line of emotion is important to stories on page 198.
Others have dismissed the book on grounds that Booker is too rigid in fitting works of art to the plot types above. For example, novelist and literary critic Adam Mars-Jones wrote, "[Booker] sets up criteria for art, and ends up condemning Rigoletto , The Cherry Orchard , Wagner , Proust , Joyce , Kafka and Lawrence —the list goes on—while ...