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This Proto-Cubist work is considered a seminal influence on subsequent trends in modernist painting. Modernism was an early 20th-century movement in literature, visual arts, and music that emphasized experimentation, abstraction, and subjective experience. [1] Philosophy, politics, architecture, and social issues were all aspects of this movement.
Modernist literature scholar David Thorburn saw connections between literary style and impressionist painters such as Claude Monet. Modernist writers, like Monet's paintings of water lilies, suggested an awareness of art as art, rejected realistic interpretations of the world and dramatized "a drive towards the abstract". [21]
Clement Greenberg sees Modernism ending in the 1930s, with the exception of the visual and performing arts. [6] In fact many literary modernists lived into the 1950s and 1960s, though generally speaking they were no longer producing major works. The term late modernism is also sometimes applied to modernist works published after 1930. [7]
From the mid-19th-century American movement: poetry and philosophy concerned with self-reliance, independence from modern technology [39] Ralph Waldo Emerson, Henry David Thoreau: Realism: The mid-19th-century movement based on a simplification of style and image and an interest in poverty and everyday concerns [40]
Modernism is a major literary movement of the first part of the twentieth-century. The term Postmodern literature is used to describe certain tendencies in post-World War II literature. Irish writers were especially important in the twentieth-century, including James Joyce and later Samuel Beckett , both central figures in the Modernist movement.
The Death of Marat (French: La Mort de Marat or Marat Assassiné) is a 1793 painting by Jacques-Louis David depicting the artist's friend and murdered French revolutionary leader, Jean-Paul Marat. [1]
David Weir (/ w ɪər /; born 1947) is an American scholar who has written widely on the Decadent movement in literature and its impact in America. Weir is Professor Emeritus on the Faculty of Humanities and Social Sciences at The Cooper Union for the Advancement of Science and Art .
Real Spaces: World Art History and the Rise of Western Modernism is a non-fiction book by art historian David Summers, who aims to reconcile Western art history to artistic cultural production around the world from all time periods.