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A man tuning an upright piano. Piano tuning is the process of adjusting the tension of the strings of an acoustic piano so that the musical intervals between strings are in tune. The meaning of the term 'in tune', in the context of piano tuning, is not simply a particular fixed set of pitches. Fine piano tuning requires an assessment of the ...
Construction, Tuning and Care of the Piano-forte (1887) by Edward Quincy Norton; Regulation and Repair of Piano and Player Mechanism, Together with Tuning as Science and Art (1909) by William Braid White; Modern piano tuning and allied arts (1917) by William Braid White (1878–1959) Biddle, Horace Peters (1867). The Musical Scale. Oliver ...
The natural inharmonicity of a piano is used by the tuner to make slight adjustments in the tuning of a piano. The tuner stretches the notes, slightly sharpening the high notes and flatting the low notes to make overtones of lower notes have the same frequency as the fundamentals of higher notes. See also Piano wire, piano tuning, psychoacoustics.
Tuning to a pitch with one's voice is called matching pitch and is the most basic skill learned in ear training. Turning pegs to increase or decrease the tension on strings so as to control the pitch. Instruments such as the harp, piano, and harpsichord require a wrench to turn the tuning pegs, while others such as the violin can be tuned manually.
Tuning is affected by changes in humidity. If a piano is properly covered during the move, it will not experience the environmental changes such as going from indoors to outdoors and back indoors again. The piano could go out of tune if exposed to a climate change such as going from a dry home to a humid home.
"She's blending from one song to another and like going through it — and the piano at times. "To be good in front of 90,000 people with just that, I think you have to be amazing," he continued.
with this set of chosen notes in bold face, and some of the omitted notes shown in grey. [e]This limitation on the set meantone notes and their sharps and flats that can be tuned on a keyboard at any one time, was the main reason that Baroque period keyboard and orchestral harp performers were obliged to retune their instruments in mid-performance breaks, in order to make available all the ...
A solo piano (played onscreen) accompanies her, and the film's offscreen orchestra (presumably not heard by the characters) sneaks in for the second verse of the song. Julie's other song in the film, "Can't Help Lovin' Dat Man", is also diegetic. In the 1936 film, it is supposed to be an old folk song known only to blacks; in the 1951 film, it ...