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Elliott Carter - Double Concerto (1959–61, for harpsichord, piano and orchestra) Frank Martin - Petite symphonie concertante for harp, harpsichord, piano and double string orchestra. Alfred Schnittke - Concerto Grosso No. 1 (1977, for two violins, harpsichord, prepared piano and orchestra)
The most common of these are the piano, organ, and various electronic keyboards, including synthesizers and digital pianos. Other keyboard instruments include celestas, which are struck idiophones operated by a keyboard, and carillons, which are usually housed in bell towers or belfries of churches or municipal buildings. [1]
Perhaps the most celebrated composers who wrote for the harpsichord were Georg Friedrich Händel (1685–1759), who composed numerous suites for harpsichord, and especially J. S. Bach (1685–1750), whose solo works (for instance, The Well-Tempered Clavier and the Goldberg Variations), continue to be performed very widely, often on the piano.
Piano Concerto No. 2 (1968–69) Harpsichord Concerto (1951–52) Ballade for piano and orchestra; Petite symphonie concertante for piano, harp, harpsichord and two string orchestras (1945) Bohuslav Martinů. Piano Concerto No. 1 (1925) Concertino for piano left hand and chamber orchestra, Op. 173 (1926) Piano Concerto No. 2 (1934) Concertino ...
Keyboard instruments are not usually a standard members of a 2010-era orchestra or concert band, but they are included occasionally. In orchestras from the 1600s to the mid-1750s, a keyboard instrument such as the pipe organ or harpsichord was normally played with an orchestra, with the performer improvising chords from a figured bass part.
The treble was very, very sweet and the bass had these long, pedal-like sounds, and the middle was a little bit like a harpsichord. It didn’t correspond to any historical instrument." Lowenthal further points out that since Carmi built everything in the piano except for the case, the sound has nothing to do with Siena or Jerusalem.
The harpsichord is typical of the early and ornate work of Jacob Kirckman, with an organ case that matches the marquetry and elaborate figured veneer of the harpsichord. The harpsichord stop levers are laid out in the conventional fashion on either side of the name-board, with the organ stops being placed at either side of the keyboards with a ...
In 1921, Arthur C. Vinageras proposed the Chromopiano, an instrument resembling and played like a grand piano, but designed to project "chords" composed from colored lights. In the 1920s, Danish-born Thomas Wilfred created the Clavilux , [ 8 ] a color organ, ultimately patenting seven versions.