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This painting has appeared on the cover of books pertaining to the War of 1812, including Free Trade and Sailors' Rights of the War of 1812 [7] and 1812: War and Passions of Patriotism. [8] These two books were written in 2012 and 2013, two hundred years after the War of 1812.
Munger specialized in portraits and miniatures, although his most famous paintings today are a pair of landscapes. [3] His watercolor entitled The President's House was painted following the fire of August 24, 1814, set by British troops during their invasion of Washington, D.C. in the War of 1812. The painting shows the burned shell of the ...
Pages in category "Paintings about the War of 1812" This category contains only the following page. This list may not reflect recent changes. W.
Paintings about the War of 1812 (2 P) Waterloo campaign in paintings (13 P) Pages in category "War paintings" The following 164 pages are in this category, out of 164 ...
Attaque d'un grand convoi à Salinas, Biscaye, 25 mai 1812 (French for 'Attack on a large convoy at Salinas, Biscay, 25 May 1812') is an 1819 history painting by the French artist Louis-François Lejeune. [1] It depicts a scene from the Peninsular War on 25 May 1812 when a French convoy was attacked near Salinas by Spanish guerrilleros. [2]
The Mont-Saint-Michel Island, depicted in the famous painting of the same name by James Webb in 1857, is a famous tourist destination. Its history dates back to the 8th century. Bishop Aubert ...
The painting was Géricault's first exhibited work and it is an example of his attempt to condense both movement and structure in his art. [1] It represents French romanticism and has a motif similar to Jacques-Louis David's Napoleon Crossing the Alps, but non-classical characteristics of the picture include its dramatic diagonal arrangement and vigorous paint handling.
This painting was rescued during the Burning of Washington in the War of 1812 thanks to the efforts of First Lady Dolley Madison and Paul Jennings, one of President James Madison's slaves. Three replicas of the original portrait are accepted as by Stuart. [30] Additional copies were painted by other artists. [31]