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Thus Spoke Zarathustra: A Book for All and None (German: Also sprach Zarathustra: Ein Buch für Alle und Keinen), also translated as Thus Spake Zarathustra, is a work of philosophical fiction written by German philosopher Friedrich Nietzsche; it was published in four volumes between 1883 and 1885.
Thomas Common (1850–1919) [1] was a translator and critic, who translated several books by Friedrich Nietzsche into English. There is little information about him biographically, though indications are that he was a well-educated and literate scholar. He lived in the area of Corstorphine, Scotland which is now a suburb of Edinburgh.
Print/export Download as PDF; ... Thus Spoke Zarathustra (1 C, 8 P) Pages in category "Books by Friedrich Nietzsche"
First instance of the poem, within Thus Spoke Zarathustra, in German Second instance of the poem, within Thus Spoke Zarathustra, in German. Zarathustra's roundelay (German: Zarathustra's Rundgesang), [1] also called the Midnight Song (Mitternachts-Lied [2]) or Once More (German: Noch ein Mal), [3] is a poem in the book Thus Spoke Zarathustra (1883–1885) by Friedrich Nietzsche.
Also sprach Zarathustra, Op. 30 (German: [ˈalzo ʃpʁaːx t͡saʁaˈtʊstʁa] ⓘ, Thus Spoke Zarathustra or Thus Spake Zarathustra) [1] is a tone poem by German composer Richard Strauss, composed in 1896 and inspired by Friedrich Nietzsche's 1883–1885 philosophical work of the same name. [2]
Print/export Download as PDF; Printable version; ... Pages in category "Thus Spoke Zarathustra" The following 8 pages are in this category, out of 8 total.
The last man (German: Letzter Mensch) is a term used by the philosopher Friedrich Nietzsche in Thus Spoke Zarathustra to describe the antithesis of his theorized superior being, the Übermensch, whose imminent appearance is heralded by Zarathustra. The last man is the archetypal passive nihilist
The expression immaculate perception, used by the German philosopher Friedrich Nietzsche in his text Thus Spoke Zarathustra; the term pertains to the idea of "pure knowledge." Nietzsche argues that "immaculate perception" is fictional because it ignores the intimate connection between the perceiver and the external world. [ 1 ]