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  2. Volume solid - Wikipedia

    en.wikipedia.org/wiki/Volume_solid

    This is an important concept when using paint industrially to calculate the cost of painting. [1] It can be said that it is the real volume of paint. Here is the formula by which one can calculate the volume solid of paint, (Total sum by volume of each solid ingredient in paint x 100%)/ Total sum by volume of each ingredient in paint.

  3. Light reflectance value - Wikipedia

    en.wikipedia.org/wiki/Light_Reflectance_Value

    LRV on Paint Swatch. In architecture, light reflectance value (LRV), is a measure of visible and usable light that is reflected from a surface when illuminated by a light source. [1] The measurement is most commonly used by design professionals, such as architectural color consultants, architects, environmental graphic designers and interior ...

  4. Paint - Wikipedia

    en.wikipedia.org/wiki/Paint

    Paint is a material or mixture that, when applied to a solid material and allowed to dry, adds a film-like layer. As art, this is used to create an image or images known as a painting.

  5. Painted ceiling - Wikipedia

    en.wikipedia.org/wiki/Painted_ceiling

    A painted ceiling is a ceiling covered with an artistic mural or painting. They are usually decorated with fresco painting, mosaic tiles and other surface treatments. While hard to execute (at least in situ) a decorated ceiling has the advantage that it is largely protected from damage by fingers and dust.

  6. How strong are your finances, really? Part two: 4 more money ...

    www.aol.com/finance/more-financial-questions-to...

    You can calculate this ratio by adding up the value of your investments (not including your home equity) and dividing that by your net worth. Generally, you want this ratio to be at least 50% ...

  7. Kubelka–Munk theory - Wikipedia

    en.wikipedia.org/wiki/Kubelka–Munk_theory

    In optics, the Kubelka–Munk theory devised by Paul Kubelka [1] [2] and Franz Munk, is a fundamental approach to modelling the appearance of paint films. As published in 1931, [3] the theory addresses "the question of how the color of a substrate is changed by the application of a coat of paint of specified composition and thickness, and especially the thickness of paint needed to obscure the ...