Ad
related to: tonalpohualli meaning in greek mythology
Search results
Results From The WOW.Com Content Network
The tōnalpōhualli (Nahuatl pronunciation: [toːnaɬpoːˈwalːi]), meaning "count of days" in Nahuatl, is a Mexica version of the 260-day calendar in use in pre-Columbian Mesoamerica. This calendar is solar and consists of 20 13-day periods. Each trecena is ruled by a different deity. Graphic representations for the twenty day names have ...
The word comes from the Nahuatl word tonalli, meaning "day" or "daysign". In the Aztec belief system the day of a person's birth calculated in the Tonalpohualli would determine the nature of the person – each day was associated with an animal which could have a strong or weak aspect. The person born on the day of for example "the dog" would ...
Tlazōlteōtl was one of the primary Aztec deities celebrated in the festival of Ochpaniztli (meaning "sweeping") that was held September 2–21 to recognize the harvest season. The ceremonies conducted during this timeframe included ritual cleaning, sweeping, and repairing, as well as the casting of corn seed, dances, and military ceremonies.
The tonalamatl was structured around the sacred 260-day year, the tonalpohualli. This 260-day year consisted of 20 trecena of 13 days each. Each page of a tonalamatl represented one trecena, and was adorned with a painting of that trecena's reigning deity and decorated with the 13 day-signs and 13 other glyphs.
In Aztec mythology, Cipactli was a primeval sea monster, part crocodilian, part fish, and part toad or frog, with indefinite gender. Always hungry, every joint on its body was adorned with an extra mouth. The deity Tezcatlipoca sacrificed a foot when he used it as bait to draw the monster nearer.
Tonalli (see also: Tonal) plays a multiplicity of roles; acting as a day sign, body part, and a symbol of the sun's warmth. Ancient Nahua people believed that it was located in the hair and the fontanel area of one's skull, and that the tonalli provided the “vigor and energy for growth and development”. [1]
Two Centaurs pound Caeneus into the ground with tree trunks; bronze relief from Olympia, Archaeological Museum of Olympia BE 11a (mid–late seventh century BC) [1] In Greek mythology, Caeneus or Kaineus (Ancient Greek: Καινεύς, romanized: Kaineús) was a Lapith hero, ruler of Thessaly, and the father of the Argonaut Coronus.
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.