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The term 'leadlight' could be used to describe any window in which the glass is supported by lead, but traditionally, a distinction is made between stained glass windows and leadlights; the former is associated with the ornate coloured-glass windows of churches and similar buildings, while the latter is associated with the windows of vernacular ...
Frank Lloyd Wright, Hollyhock House, Los Angeles, CA Theo van Doesburg, Leaded Glass Composition I. Came glasswork is the process of joining cut pieces of art glass through the use of came strips or foil into picturesque designs in a framework of soldered metal. Final products include a wide range of glasswork, including stained glass and lead ...
All windows and doors in the home were fashioned in leaded glass with nickel caming. [14] The unvarying glass pattern was a variation of the typical Prairie muntin bar design [17] and consisted of a frame of narrow rectangular and trapezoidal panes surrounding a single large glass pane. Wright arranged most windows into one of two ensembles ...
In 2001, the studio received the monumental commission to design and create the entire stained glass fenestration for St. Martin’s Episcopal Church in Houston, Texas. The 36 window project, completed in May 2004, is the studio’s largest-ever one-time commission. Over 100,000 individual pieces of hand-cut glass make up the clerestory windows ...
It was further necessary for each glazed panel, sash or casement to be further subdivided by muntins or lead cames because large panes of glass were reserved primarily for use as mirrors, being far too costly to use for glazing windows or doors. In traditional designs today, mullions and transoms are normally used in combination with divided ...
The width of lead came pattern lines is usually 1/16 inch and allows for the thickness of the came's heart to fit between the adjoining pieces of glass." [3] The width and depth of the came used to assemble the piece affect the pattern for cutting glass and for creating the finished piece. [6]