Ad
related to: call and response music
Search results
Results From The WOW.Com Content Network
In music, call and response is a compositional technique, often a succession of two distinct phrases that works like a conversation in music. One musician offers a phrase, and a second player answers with a direct commentary or response. The phrases can be vocal, instrumental, or both. [ 1 ]
Call and response. Call and response is a form of interaction between a speaker and an audience in which the speaker's statements ("calls") are punctuated by responses from the listeners. [1] This form is also used in music, where it falls under the general category of antiphony.
Lining out. Lining out or hymn lining, called precenting the line in Scotland, is a form of a cappella hymn-singing or hymnody in which a leader, often called the clerk or precentor, gives each line of a hymn tune as it is to be sung, usually in a chanted form giving or suggesting the tune. It can be considered a form of call and response.
Many of these blues elements, such as the call-and-response format, can be traced back to the music of Africa. The use of melisma and a wavy, nasal intonation also suggests a connection between the music of West and Central Africa and the blues. The belief that blues is historically derived from the West African music including from Mali is ...
Music of Washington, D.C. list of funk musicians. Go-go is a subgenre of funk music with an emphasis on specific rhythmic patterns, and live audience call and response. Go-go was originated by African-American musicians in Washington, D.C., during the mid-60s to late-70s. Go-go has limited popularity in other areas, but maintains a devoted ...
Field hollers are also known as corn-field hollers, water calls, and whoops. An early description is from 1853 and the first recordings are from the 1930s. The holler is closely related to the call and response of work songs and arhoolies. The Afro-American music form ultimately influenced strands of African American music, such as the blues ...
This call-and-response performance style is the most common form of spiritual. [ 13 ] The simple, repetitive nature of the song, along with the fact that it was commonly performed without instrumental accompaniment, meant that spontaneous shifts in tempo, pitch, and emphasis were commonly made, leading the song in new and exciting directions ...
Particular to the African call and response tradition is the overlapping of the call and response. [13] The leader's part might overlap with the response, thus creating a unique collaborative sound. Similarly, African-American folk and traditional music focuses on polyphony rather than a melody with a harmony. [13]