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"Incense and Peppermints" is a 1967 song by the American psychedelic rock band Strawberry Alarm Clock. The song is officially credited as having been written by John S. Carter and Tim Gilbert, although it was based on an instrumental idea by band members Mark Weitz and Ed King . [ 5 ]
In the 1968 Jack Nicholson movie Psych-Out, they performed several songs, including "Incense and Peppermints," "Rainy Day Mushroom Pillow," and "The World's on Fire." "The Pretty Song from Psych-Out" was re-recorded by a San Fernando Valley garage band, the Storybook, for the film's soundtrack album, but the Strawberry Alarm Clock's version was ...
Incense and Peppermints is the debut album by psychedelic rock band Strawberry Alarm Clock. Released in October 1967, it reached No. 11 on the Billboard 200 album charts during a 24-week run [ 2 ] [ 3 ] and included the band's No. 1 Billboard Hot 100 hit [ 4 ] " Incense and Peppermints ".
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As Weitz explains, "[UNI's] attitude at the time was, 'Let's give them one more chance to squeeze out a hit. If they fail, then it's over.' I think it was a miscalculation on 'Good Morning Starshine.' We played well on the music track, we all personally disliked the song as not being our style – that's an understatement – [but] recorded it ...
It came as the group was challenged with continuing the success of their debut single, the psychedelic classic and number one hit, "Incense and Peppermints" and the LP that followed. Their second effort would expand upon the arrangements of its predecessor's unique blend of vocal harmonies , psychedelia , and pop music .
It should only contain pages that are Strawberry Alarm Clock songs or lists of Strawberry Alarm Clock songs, as well as subcategories containing those things (themselves set categories). Topics about Strawberry Alarm Clock songs in general should be placed in relevant topic categories .
Thus, five of the album's 12 songs (including most of side 1 of the vinyl LP) were non-group songs. The new direction did not pay off commercially for the band. Many of the tracks on The World in a Sea Shell featured lush orchestration and a gentle, escapist feel that stood in stark contrast to the adventurous psychedelia of the band's past work.