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Dynamic characters are those that change over the course of the story, while static characters remain the same throughout. An example of a popular dynamic character in literature is Ebenezer Scrooge, the protagonist of A Christmas Carol by Charles Dickens. At the start of the story, he is a bitter miser, but by the end of the tale, he ...
Character type Description Examples Zanni: Servant characters in commedia dell'arte. Zanni was of two distinct types: one is an astute, cunning servant and the other is a silly, stupid servant. They were called First Zanni and Second Zanni. Mezzetino and Brighella are examples of the First Zanni; Arlecchino and Pulcinella are examples of the ...
A stock character, also known as a character archetype, is a type of character in a narrative (e.g. a novel, play, television show, or film) whom audiences recognize across many narratives or as part of a storytelling tradition or convention. There is a wide range of stock characters, covering people of various ages, social classes and demeanors.
Such a "round", dynamic character—that is, a character showing complexity and development—is generally a protagonist. [10] Or if lacking complexity and development—thus a "flat", static character—then the everyman is a secondary character.
During the second act, also referred to as "rising action", the character arc develops as the protagonist attempts to resolve the problem initiated by the first turning point, only to discover ever-worsening situations, which often lead to the learning of new skills, the discovery of capabilities, and (sometimes late in the second act if at all) the raising of self-awareness.
Don Quixote and his sidekick Sancho Panza, as illustrated by Gustave Doré: the characters' contrasting qualities [1] are reflected here even in their physical appearances. In any narrative, a foil is a character who contrasts with another character, typically, a character who contrasts with the protagonist, in order to better highlight or differentiate certain qualities of the protagonist.
Flanderization is a widespread phenomenon in serialized fiction. In its originating show of The Simpsons, it has been discussed both in the context of Ned Flanders and as relating to other characters; Lisa Simpson has been discussed as a classic example of the phenomenon, having, debatably, been even more Flanderized than Flanders himself. [9]
This can sometimes be confused with a scribble on the cheek, indicating injury. Sometimes when the character is expressing strong emotions, such as sadness, a long blush through the nose would appear. Facial shape changes depend on the character's mood, and can look from round apple-shaped to a more subtle carrot shape. [citation needed]