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Psalm 66 is the 66th psalm of the Book of Psalms, beginning in English in the King James Version: "Make a joyful noise unto God, all ye lands". In the slightly different numbering system of the Greek Septuagint version of the Bible and the Latin Vulgate , this psalm is Psalm 65 .
All the psalms were present in common meter (CM), which meant that in principle any psalm could be sung to any psalm tune, though not every possible combination would have been regarded as good taste. Musical editions of the psalter were published with the pages sliced horizontally, the tunes in the top half and the texts in the bottom ...
Many similar passages occur in Psalms 120-134, which also contain an unusual number of epanalepsis, or catch-words, for which Israel Davidson proposed the name Leittöne. Thus there is the repetition of shakan in Psalms 120:5–6; of shalom in Psalms 120:6–7; and the catch-word yishmor in Psalms 121:7–8. [38]
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The psalms are filled with thanksgiving and praise towards God. Many of these psalms forecast destruction or devastation in the future for their tribes but are balanced with God’s mercy and saving power for the people. [6] Some of the Psalms of Asaph are not labeled as only from Asaph but as "for the leader."
Title page of the copy of the Bay Psalm Book held by the Beinecke Rare Book and Manuscript Library a page of the Bay Psalm Book in the Houghton Library. The Whole Booke of Psalmes Faithfully Translated into English Metre, commonly called the Bay Psalm Book, is a metrical psalter first printed in 1640 in Cambridge, Colony of Massachusetts Bay.
The first movement of the Symphony of Psalms is marked "Tempo = 92" and uses the text from Psalm 38, verses 13 and 14. This movement was finished on August 15, 1930, which is the feast of the Assumption in the Catholic Church and is written as a prelude to the second movement, a double fugue .
David Playing the Harp by Jan de Bray, 1670.. Knowledge of the biblical period is mostly from literary references in the Bible and post-biblical sources. Religion and music historian Herbert Lockyer, Jr. writes that "music, both vocal and instrumental, was well cultivated among the Hebrews, the New Testament Christians, and the Christian church through the centuries."