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Verse–chorus form is a musical form going back to the 1840s, in such songs as "Oh! Susanna ", " The Daring Young Man on the Flying Trapeze ", and many others. [ 1 ] [ 2 ] It became passé in the early 1900s, with advent of the AABA (with verse) form in the Tin Pan Alley days.
Song structure is the arrangement of a song, [1] and is a part of the songwriting process. It is typically sectional, which uses repeating forms in songs.Common piece-level musical forms for vocal music include bar form, 32-bar form, verse–chorus form, ternary form, strophic form, and the 12-bar blues.
In music, form refers to the structure of a musical composition or performance.In his book, Worlds of Music, Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such as "the arrangement of musical units of rhythm, melody, and/or harmony that show repetition or variation, the arrangement of the instruments (as in the order of ...
Additionally, they can take form as commentary to a statement, an answer to a question or repetition of a phrase following or slightly overlapping the initial speaker(s). [2] It corresponds to the call and response pattern in human communication and is found as a basic element of musical form, such as the verse-chorus form, in many traditions.
The song is constructed in a verse-chorus form, with a bridge before the third chorus, [9] and its instrumentation consists of a guitar, brass and string instruments. [10] It starts with an instrumental introduction , with a chord progression of A–Faug–Dmaj 7 –G 7 that is also used during the first part of the verses and the chorus.
Strophic form – also called verse-repeating form, chorus form, AAA song form, or one-part song form – is a song structure in which all verses or stanzas of the text are sung to the same music. [1] Contrasting song forms include through-composed, with new music written for every stanza, [1] and ternary form, with a contrasting central section.
Performance of the song at the end of The Hollywood Revue. The song has an unusual form. The 32-bar chorus opens the song and is followed by a 24-bar verse before the chorus repeats, in contrast to other songs of the period which often opened with a verse and contained an internal bridge.
[18] [19] [20] Constructed in verse–chorus form, the song runs for 3 minutes and 23 seconds and is composed in 4 4 time and the key of B minor, with a tempo of 103 beats per minute and a chord progression of Bm 7 —F ♯ m 7 —Em 7. [11] [21] [22] It is built around a wonky synth hook, with 1990s choruses and several campy disco tropes.