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A section from Johann Strauss' Waltz from Die Fledermaus. A waltz, [a] probably deriving from German Ländler, is dance music in triple meter, often written in 3 4 time.A waltz typically sounds one chord per measure, and the accompaniment style particularly associated with the waltz is (as seen in the example to the right) to play the root of the chord on the first beat, the upper notes on the ...
The Grande valse brillante in E-flat major, Op. 18, was composed by Frédéric Chopin in 1833 and published in 1834. Chopin dedicated it to his pupil, Laura Horsford. [1] This was his first published waltz composition for solo piano, although prior to 1834 he had written at least sixteen waltzes that were either destroyed or eventually published posthumously.
It has a slow introduction (Moderato) leading to a fast section (Allegro vivace), then a lilting waltz theme. Other waltz tunes appear, and the fast section, exuberant scale passages (Vivace) and the main waltz theme are all repeated. It comes to a rousing conclusion – or what sounds very much like one – then finishes with a quiet coda once ...
The second waltz is a swirling passage in C major, in a high-spirited fashion. The third waltz is considerably gentler, with a fierce, exciting coda. The first waltz theme makes a hesitant entry again, accelerating into its breathless and brilliant conclusion, with repeated chords, with a strong drumroll and brass flourish.
Waltz 5B contains the customary climax with cymbals and is loudly played. After a brief and tense coda, waltz 1A and 2B make a reappearance. As the waltz approaches its end, the zither solo makes another appearance, reprising its earlier melody in the introduction. A crescendo in the final bars concludes with a brass flourish and snare drumroll.
Global models are further distinguished as analysis by traits, which "identify the presence or absence of a particular variable, and makes a collective image of the song, genre, or style being considered by means of a table, or classificatory analysis, which sorts phenomena into classes," one example being "trait listing" by Helen Roberts, [36 ...
Since the invention of sound recording, a classical piece or popular song may exist as a recording.If music is composed before being performed, music can be performed from memory (the norm for instrumental soloists in concerto performances and singers in opera shows and art song recitals), by reading written musical notation (the norm in large ensembles, such as orchestras, concert bands and ...
The orchestral version does not contain the complete set of waltzes, but instead numbers 1, 2, 4, 6, 5, a song that would later become waltz 9 in his Neue Liebeslieder Waltzes, 11, 8, and 9. [12] Friedrich Hermann also created a transcription of the Liebeslieder Waltzes for strings alone in 1889. [ 13 ]