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Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and eclectic revival of historic styles mixed with the introduction of Asian and Middle Eastern influences in furniture, fittings, and interior decoration .
Lotus flower [19] Narcissus Osmanthus Osmanthus blossom [19] Peach Peach blossom [19] Spring and happiness. [3] Peony [19] Peony flower Associated with royalty. [3] It is also called “flower of rank and honour"; honours means attaining high rank, an official position or high social status. [3] Plum Plum flowers Symbol of winter. [3] Pomegranate
A fleuron (/ ˈ f l ʊər ɒ n,-ə n, ˈ f l ɜːr ɒ n,-ə n / [1]), also known as printers' flower, is a typographic element, or glyph, used either as a punctuation mark or as an ornament for typographic compositions. Fleurons are stylized forms of flowers or leaves; the term derives from the Old French: floron ("flower"). [2]
Floral design or flower arrangement is the art of using plant material and flowers to create an eye-catching and balanced composition or display. Evidence of refined floral design is found as far back as the culture of ancient Egypt. Floral designs, called arrangements, incorporate the five elements and seven principles of floral design. [1]
Fine arts film is a term that encompasses motion pictures and the field of film as a fine art form. A fine arts movie theater is a venue, usually a building, for viewing such movies. Films are produced by recording images from the world with cameras, or by creating images using animation techniques or special effects.
Geometric designs in Islamic metalwork can form a grid decorated with these other motifs, or they can form the background pattern. [ 32 ] Even where metal objects such as bowls and dishes do not seem to have geometric decoration, still the designs, such as arabesques, are often set in octagonal compartments or arranged in concentric bands ...
Composition with Red, Blue and Yellow is a 1930 painting [1] by Piet Mondrian, a Dutch artist who was a leading figure in the Neo-Plasticism movement. It consists of thick, black brushwork, defining the borders of colored rectangles. As the title suggests, the only colors used in it besides black and white are red, blue, and yellow.
The Brazilian writer Olavo de Carvalho reproduced the engraving in his 1995 book O Jardim das Aflições ("The Garden of Afflictions"), offering it as an example of Renaissance views concerning the spiritual world, which he criticized: "the pilgrim evades the mundane 'sphere', abandoning trees and flowers, Sun and Moon, birds and stars, to ...