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In electronic camera specifications frame rate refers to the maximum possible rate frames that can be captured (e.g. if the exposure time were set to near-zero), but in practice, other settings (such as exposure time) may reduce the actual frequency to a lower number than the frame rate. [18]
A few film formats have experimented with frame rates higher than the 24 fps standard. The original 3-strip Cinerama features of the 1950s ran at 26 fps. [3] The first two Todd-AO 70 mm features, Oklahoma! (1955) and Around the World in 80 Days (1956) were shot and projected at 30 fps. [4] Douglas Trumbull's 70 mm Showscan film format operated ...
Shown in cinemas in 24 fps. The original 50 fps presentation is not in any home video release. Love & Pop: Hideaki Anno: Japanese: 60 Shot on digital video in interlaced 60 fps, with some scenes shot on 35 mm movie film in 24 fps. Shown in cinemas in 24 fps and in interlaced 60 fps with 24 fps segments on DVD and Blu-ray. 1999 The Blair Witch ...
A diagram of the electromagnetic spectrum, showing various properties across the range of frequencies and wavelengths. The electromagnetic spectrum is the full range of electromagnetic radiation, organized by frequency or wavelength. The spectrum is divided into separate bands, with different names for the electromagnetic waves within each band.
Different compounds convert microwave radiation to heat by different amounts. This selectivity allows some parts of the object being heated to heat more quickly or more slowly than others (particularly the reaction vessel). Microwave heating can have certain benefits over conventional ovens: reaction rate acceleration; milder reaction conditions
So, while 24p footage can be edited as 60i, it is usually better to edit the footage on a 24p timeline with the pulldown removed. Most current prosumer-level editing applications which edit native 24p can remove the 3:2 pulldown for editing in native 24p, although some cannot. However, this is not ideal; the removal of the 3:2 pulldown involves ...