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Count singing requires analyzing a piece or section of music to determine how to subdivide it. For example, music written in 4 4 time could be count sung as quarter notes ("one two three four"), eighth notes ("one and two and three and four and"), triplets ("one and a two and a three and a four and a"), or sixteenth notes ("one ee and a two ee and a three ee and a four ee and a").
The rehearsals closer to the performance are more likely to involve run-throughs of entire songs. Whereas Classical rehearsals are led by the conductor or choir leader, popular music band rehearsals are typically led by the bandleader, who is typically a member of the band. The bandleader sets the tempos for songs, chooses which instruments ...
The book provided vocal technique for choral singers. It included 100 exercises, rehearsal and programming tips as well as tips for vocal health. The book was sold with a CD of the same title. [9] A sequel to the book The Perfect Rehearsal was published by Shawnee Press in August 2007 followed by The Perfect Choral Workbook in November. [4]
When a choir is learning a work scored for choir and full orchestra, the initial rehearsals will usually be done with a pianist playing a piano reduction of the orchestra part. Before the advent of the phonograph , arrangements of orchestral works for solo piano or piano four hands were in common use for enjoyment at home.
The conductor then looks at the different sections of the orchestra (winds, strings, etc.) or choir to ensure that all the orchestra members are ready to play and choir members are ready. In some choral works, the conductor may signal to a pianist or organist to play a note or chord so that the choir members can determine their starting notes.
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A rehearsal letter, sometimes referred to as rehearsal marks, [1] [2] rehearsal figures, [3] or rehearsal numbers, is a boldface letter of the alphabet in an orchestral score, and its corresponding parts, that provides the conductor, who typically leads rehearsals, with a convenient spot to tell the orchestra to begin at places other than the start of movements or pieces.
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