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Kendang Kulanter, two (small drum). Kendang Kulanter is divided into two, namely the Katipung and the Kutiplak . Many types of Sundanese Kendang are distinguished according to their function in accompaniment :
Gamelan madya. This gamelan comes from around the 16th-19th century. In this era, the barungan gamelan already used drums and tuned instruments. In this barungan, drums have started to play a role in a show (Bebarongan, Pelegongan, Batel Barong, Joged Pingitan, Penggambuhan, Gong Gedé, Semar Pagulingan) Gamelan anyar.
Quezon City, Philippines: University of the Philippines Diliman. OCLC 6593501. Archived from the original (PDF) on September 20, 2023; Dioquino, Corazon (October 22, 2009). "Philippine Bamboo Instruments". Humanities Diliman: A Philippine Journal of Humanities. 5 (1&2). University of the Philippines Diliman. ISSN 2012-0788.
Flower drum: China Unpitched Idiophone Fontomfrom: Ghana Membranophone Found object: Frame drum: Unpitched 211.3 Membranophone Friction drum: Both Membranophone A drum where a stick or chord is drawn through a hole in the membrane to make a sound. Frog güiro: Galgo: Korea Unpitched 211.242.1 Membranophone Gandingan: Philippines Unpitched 111. ...
The instruments vary from one region to another but the gamelan (Javanese orchestra), kendang or gendang (drum), suling (flute) and gong are common throughout Southeast Asia. Drums are the main and sometimes only instrument in Minang silat of West Sumatra. The most common instruments in Malaysia are the gendang (drums) and serunai (oboe).
The instruments were used differently, depending on the cultures. In Cambodia, the Kong ring was plucked, used as a substitute for the sound of a circle of gongs, similar to the way a piano can substitute for an orchestra. In the Philippines, the zither strings were plucked but also hammered with a stick, like a drum.
The Drum City Ltd. salesman went to rip off the Ludwig logo on the drum front when Starr stopped him. “Leave it on,” Starr said. “It’s American, you know.
The kendang part is the most complex in gong kebyar, drawing from a rich lexicon of rapid-fire, syncopated patterns to fit the mood and progression of pitched music. The lanang drummer is responsible for filling in an appropriate interlocking part. Kendang players may sit facing the same way, wadon in front and lanang behind.