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This little lens brings big screen cinemascope perspective to mobile phones via a phone case for either the iPhone, Google Pixel, or Galaxy. This is great news for filmmakers on a budget chasing ...
When Moment announced an anamorphic lens, it really caught my attention. After all, the film Tangerine was shot on an iPhone 5S using an anamorphic lens from Moondog Labs, so I was excited to try ...
The iPhone 12 features a 6.1-inch (155 mm) display [33] with Super Retina XDR OLED technology at a resolution of 2532 × 1170 pixels and a pixel density of about 460 ppi. [34] The iPhone 12 Mini features a 5.4-inch (137 mm) display with the same technology at a resolution of 2340 × 1080 pixels, and a pixel density of about 476 ppi.
An anamorphic lens consists of a regular spherical lens, plus an anamorphic attachment (or an integrated lens element) that does the anamorphosing. The anamorphic element operates at infinite focal length, so that it has little or no effect on the focus of the primary lens it's mounted on but still anamorphoses (distorts) the optical field.
Lens flare on Borobudur stairs to enhance the sense of ascending. A lens flare is often deliberately used to invoke a sense of drama. A lens flare is also useful when added to an artificial or modified image composition because it adds a sense of realism, implying that the image is an un-edited original photograph of a "real life" scene.
The iPhone 12 and 12 Pro series brought Night Mode to all camera lenses, including the TrueDepth camera. It also uses Deep Fusion in more situations, and uses Smart HDR 3. Dolby Vision HDR video recording up to 30 FPS is available for the iPhone 12 and 12 mini, and up to 60 FPS for the 12 Pro and 12 Pro Max.