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The sarod is a stringed instrument, used in Hindustani music on the Indian subcontinent. Along with the sitar , it is among the most popular and prominent instruments. [ 1 ] It is known for a deep, weighty, introspective sound, in contrast with the sweet, overtone-rich texture of the sitar, with sympathetic strings that give it a resonant ...
Sharan Rani (also known as Sharan Rani Backliwal, née Mathur) (9 April 1929 – 8 April 2008) was an Indian classical sarod player and music scholar. [1] [2]Her private collection of 379 musical instruments ranging from the 15th to the 19th century is now part of the "Sharan Rani Backliwal Gallery of Musical Instruments" at the National Museum, New Delhi.
A medieval instrument, labeled nagaveena (snake veena), is a type of musical scraper. Chigggjha – fire tong with brass jingles; Chengila – metal disc; Eltathalam; Gegvrer – brass vessel; Ghaynti – Northern Indian bell; Ghatam and Matkam (Earthenware pot drum) Ghunyugroo; Khartal or Chiplya; Manjira or jhanj or taal; Nut – clay pot ...
Related instruments include the medieval Iranian rubab, the rubab of Afghanistan, Pakistan and Northern India, the Indian sarod, sursingar and kamaica, the Nepali-Tibetan-Bhutanese tungana, the Pamiri rubab and the Uyghur rawap. The family of instruments blended Persian and Indian cultures, and has been played by Hindus, Buddhists and Muslims.
Khan on a 2014 stamp sheet of India. Khan, after years of rigorous training, gave his debut performance at a music conference in Allahabad in 1936, at the age of 13. Three years later, in December 1939, he accompanied Ravi Shankar on the sarod during the latter's debut performance at the same conference; this was the first of many jugalbandis (duets) between the two musicians.
Instruments are a vehicle conveying essential nature of others to the artiste while transporting his emotions to listeners. The concluding chapter rearranges the whole gamut of Indian musical instruments highlighting the interdependence of evolution of instruments with texts mentioning them. The curve of development being successive, often ...
Khan (middle) with Abbasuddin Ahmed and Qazi Motahar Hossain (1955). Khan became court musician for the Maharaja of Maihar. [6] Here he laid the foundation of a modern Maihar gharana by developing a number of ragas, combining the bass sitar and bass sarod with more traditional instruments and setting up an orchestra. [6]
The second instrument is a modified archtop Hawaiian guitar, created by Vishwa Mohan Bhatt, [5] and is the instrument most commonly referred to by the name Mohan veena. This instrument has between 19 and 21 strings in total: three to four melody and four to five drone strings strung from the peghead, and twelve sympathetic strings strung to the ...