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The family name Meyer (also Meijer, Meier, Maier) stands for a dynasty of bronze casters of German origin, documented between the late 16th and the end of the 18th century, active in Copenhagen, Florence, Helsingør, Riga, Stockholm and Tallinn. They were predominantly cannon and bell casters and occasionally statue casters.
Dunstan, "The Chief of Monks", was an expert worker in metals and known bell caster. Two bells were cast under his direction at Abingdon which also held two others cast by St. Ethelwold . [ 6 ] Methods of moulding by lost-wax casting were described by the thirteenth-century Benedictine monk Walter de Odyngton of Evesham Abbey.
Today among the Yoruba, Obalufon is identified as the patron deity of brass casters. The period in which the work was made was an age of prosperity for the Yoruba civilisation, which was built on trade via the River Niger to the peoples of West Africa. Ife is regarded by the Yoruba people as the place where their deities created humans. [3]
Tall cylindrical wine cup, with no handles or legs. The mouth is usually slightly broader than the body. In the late Zhou, this type of vessel became exceedingly elaborate, often taking the shape of animals and abandoning the traditional shape. These later types are distinguished from gōng (觥) by retaining a small, roughly circular mouth.
The Benin Bronzes are really brass, and the Romanesque Baptismal font at St Bartholomew's Church, Liège is described as both bronze and brass. In the Bronze Age, two forms of bronze were commonly used: "classic bronze", about 10% tin, was used in casting; and "mild bronze", about 6% tin, was hammered from ingots to make sheets.
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