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Silent music (1941), by Raymond Scott (1909–1994) The band was going through all the motions: the swart, longish-haired leader led away; the brasses, the saxophones, the clarinets made a great show of fingering and blowing, but the only sound from the stage was a rhythmic swish-swish from the trap-drummer, a froggy slap-slap from the bull ...
4′33″ premiered in 1952 and was met with shock and widespread controversy; many musicologists revisited the very definition of music and questioned whether Cage's work qualified as such. In fact, Cage intended 4′33″ to be experimental—to test the audience's attitude to silence and prove that any auditory experience may constitute ...
A silent piano is an acoustic piano where there is an option to silence the strings by stopping the hammers from striking them. A silent piano is designed for private silent practice. [ 1 ] On modern, electric keyboards, sensors can pick up the piano key movement, converting it to a MIDI signal [ citation needed ] that can be sent to an ...
In music, the dynamics of a piece are the variation in loudness between notes or phrases.Dynamics are indicated by specific musical notation, often in some detail.However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece.
A Quiet Place (Music from the Motion Picture) is the soundtrack to the 2018 film of the same name directed by John Krasinski. Featuring musical score composed by Marco Beltrami , the soundtrack was released under the Milan Records label on April 6, 2018.
Music for the Theatre for orchestra (1925) Two Choruses ("The House on the Hill," "An Immortality") for chorus (1925) Piano Concerto for piano and orchestra (1926) Two Pieces for violin and piano (1926) Sentimental Melody for piano (1926) Four Piano Blues for piano (1926–48) Poet's Song for voice and piano (1927) Vocalise No.1 for voice (1928)
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Erik Tawaststjerna, who authored seminal biography on Sibelius, was an early, vocal advocate for many of the composer's piano pieces. The musicologist Robert Layton argues that the Ten Pieces are a mixed bag, although the "best of them are probably more personal than" their immediate predecessor, the Piano Sonata in F major (Op. 12, 1893).